Jetsam 40: Barber
Page 19 of 66
Infrequent doesn’t disprove
There is no logical warrant for considering an event known to occur in a given hypothesis, even if infrequently, as disproving the hypothesis.
Joseph Berkson in “Tests of significance considered as evidence”. Journal of the American Statistical Association 37: 325-335.
Jetsam 39: fisherman
I’m not a content creator
I struggle with the word “content”—as used in “content creator” or “content producer”—to refer to creative endeavours. Content as something included or contained into a blank space. Content as fungible filler, writing, sounds, images that can be easily (unnoticeably) replaced with something else.
“Content” diminishes creation. As an amateur I create writings, pictures, code and sounds for the sake of it, because I love (amare) doing it. Likely it is not at the same level as a professional who does it for a living, but these activities are a part of me.
“Content” reduces creation to units of commercial exchange, which are the opposite of why I, and probably many people, spend time creating and sharing what I do.
I’m a creator, but not of content, and I share my creations for free.
I used to read
I used to read. A lot. All sorts of books, popular ones and some obscure ones; they were mostly novels, some poetry (in Spanish) were my usual fare. I read voraciously but with no target; I mean there was no “I have to read X books this year” just read and read. Years later I reduced my reading a lot, part of changing cities, countries, language, lifestyle.
Later came the idea of giving away books. It was too much hassle to keep so many books sitting on a shelf. Then I decided to buy much fewer books; some years I didn’t buy even one. Later there was much dog walking, which consumed a lot of my reading time and then I discovered audiobooks.
Initially, audiobooks felt very different, as usually my problem was “How do you pronounce this name? and now it was “How do you spell this name given the pronunciation?” It was harder to keep all the pieces in place, there was no going back to remind myself what was happening before. My solution, perhaps no ideal but practical, was to simplify stories. Lots of “who dunnit” but audiobooks were quite handy, with 8 to 15 hours for an unabbreviated story*.
Characters sound different from what they sound in my mind if I’m doing the reading. At the same time, it is going back to oral stories, which were the first stories for humanity. One big problem: the audiobook market is a dumpsterfire of a near monopoly, with a DRM heavy offer (Audible, an Amazon company). And I do not want to buy books or audiobooks so my solution is very simple: borrow audiobooks from my public library, which has a fairly large catalogue.
After a while one develops a taste for voice actors. My favourite, by far, is Seán Barrett who does an excellent Harry Hole in Joe Nesbø’s crime novels (here a Barrett interview about his voice acting work).
These “readings” are far from what I used to read, but they are very fun. How many of them? Quite a few, depending on time and books available. I often do not respect the order of book series, as I rarely have the patience to reserve the books and wait that they are in the right order.
*There are some exceptions, like Neal Stephenson’s Cryptonomicon which is 43 (!) hours.