Palimpsest

Evolving notes, images and sounds by Luis Apiolaza

Page 38 of 66

Should I reject a manuscript because the analyses weren’t done using open source software?

“Should I reject a manuscript because the analyses weren’t done using open software?” I overheard a couple of young researchers discussing. Initially I thought it was a joke but, to my surprise, it was not funny at all.

There is an unsettling, underlying idea in that question: the value of a scientific work can be reduced to its computability. If I, the reader, cannot replicate the computation the work is of little, if any, value. Even further, my verification has to have no software cost involved, because if that is not the case we are limiting the possibility of computation to only those who can afford it. Therefore, the almost unavoidable conclusion is that we should force the use of open software in science.

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If one were to invent scientific journals today

While taking a shower I was daydreaming about what would happen if one were to invent journals today, with a very low cost of publication and no physical limits to the size of a publication. My shower answer was that there would be little chance for a model like traditional printed journals.

One could create a central repository (a bit like the arXiv) taking submissions of text format of the article + figures, which are automatically translated to a decent-looking web format and a printable version. This would be the canonical version of the article and would get assigned a unique identifier. The submitters would get to update their article any number of times, creating versions (pretty much like software). This way they could fix any issues without breaking references from other articles.
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Jetsam 13: dump

While disposing of some garden waste in Christchurch’s EcoDrop—which processes recycling, garden waste and rubbish—I captured the sound of a bulldozer pushing rubbish with a background of people and seagulls.

Jetsam 11: Two hundred beetles

I am a fan of Tim Prebble’s The Music of Sound, where he deals with field recording and the role of sound in general. Tim is running a field recording competition which requires ‘a cardboard box, a microphone, a recorder and you. Thats it! No processing allowed, submit a single take’.

I decided to go for something a bit creepy given the time of the year: getting close to Día de los Muertos. My setup was fairly simple:
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